University of East Anglia

Master Writing the Modern World - Máster en Escribiendo el Mundo Moderno

University of East Anglia
  • Imparte:
  • Modalidad:
    Presencial en Norwich
  • Precio:
    Consultar rellenando el formulario
  • Comienzo:
    Septiembre 2017
  • Lugar:
    University of East Anglia, Norwich Research Park
    Norwich NR4 7TJ
    Reino Unido
  • Duración:
    1 Año
  • Idioma:
    El Curso se imparte en Inglés
  • Titulación:
    MA Writing the Modern World
  • Otras Convocatorias:

    Presentación

    This programme is offered either full and part time basis

    Writing the Modern World is devoted to the critical and creative study of twentieth- and twenty-first-century literature. Its premises are simple yet radical: that writing and reading matter, and that attending to literature and related writings can make a difference both to us and to the world. Writing is understood here not only as what we read but also what we make, and the interrelation of the two activities is central to the life of the MA.

    The history of literary writing over the last century-and-a-bit is complex and exciting. It involves the bold experiments of the early twentieth century, the explosion of the anglophone canon to include hitherto unheard voices, and writings from all parts of the globe, the challenging playfulness of postmodernism and the eclectic, hybrid, generically-various texts being written today.

    Requisitos

    Degree Subject: UK BA (Hons) 2.1 or equivalent
    Special Entry Requirements: Sample of work

    Programa

    Compulsory Study (140 credits)
    Students must study the following modules for 140 credits:
     CREATIVE-CRITICAL WRITING
     ENGLISH LITERATURE DISSERTATION
     LIVING MODERNISM
     RESEARCH AND METHODOLOGY TRAINING SEMINAR
    Option A Study (40 credits)
    Students will select 40 credits from the following modules:
    Students are encouraged to select modules from the following LDCEM016 Ludic Literature; LDCEM023 Fiction after Modernism; LDCCM028 Travel Writing-Critical Approaches and Creative Practice.
     ADAPTATION AND INTERPRETATION
     ADAPTATION AND INTERPRETATION
     AMERICAN FOREIGN POLICY
     BRITISH CINEMA: REALISM AND SPECTACLE
     CASE STUDIES
     CONCEPTUALIZING THE MEDIEVAL AND THE RENAISSANCE
     CREATIVE WRITING AND RESEARCH SEMINARS
     CREATIVE WRITING DISSERTATION
     CREATIVE WRITING WORKSHOP: POETRY 1
     CREATIVE WRITING WORKSHOP: POETRY 2
     CREATIVE WRITING WORKSHOP: PROSE 1
     CREATIVE WRITING WORKSHOP: PROSE 2
     CREATIVE WRITING WORKSHOP: SCRIPTWRITING
     CREATIVE WRITING: SCRIPTWRITING: DRAMATURGY
     CREATIVE WRITING: SCRIPTWRITING: PROCESS
     CREATIVE-CRITICAL WRITING
     CREATIVITY AND DEVELOPMENT IN FILM AND TELEVISION PRODUCTION
     CRITICAL THEORIES OF THE WESTERN SELF
     CROSSING BOUNDARIES: WOMEN WRITERS IN MODERN EUROPE
     DESCRIBING POETRY
     DISSERTATION - LITERARY TRANSLATION
     EAST ANGLIAN LITERATURE
     EFFECTS, AUDIENCES AND THE MEDIA
     ENGLISH LITERATURE DISSERTATION
     EUROPE AND THE WORLD
     EUROPEAN UNION: POWER, POLITICS AND POLICY
     EVALUATING NATURE
     FICTION AFTER MODERNISM: RE-READING THE 20TH CENTURY
     FICTION AFTER MODERNISM: RE-READING THE 20TH CENTURY
     FILM STUDIES DISSERTATION
     FILM STUDIES: HISTORY, THEORY, CRITICISM
     FORENSIC LINGUISTICS AND TRANSLATION
     GLOBAL POLITICAL ECONOMY OF EMERGING POWERS
     INTERNATIONAL HISTORY OF THE ASIA-PACIFIC REGION
     INTERNATIONAL ORGANISATIONS AND PUBLIC POLICY
     INTERNATIONAL ORGANISATIONS: CONFLICT AND DEVELOPMENT
     INTERNATIONAL RELATIONS THEORY
     INTERNATIONAL SECURITY
     JAPANESE FILM: NATIONAL CINEMA AND BEYOND
     LITERARY TRANSLATION RESEARCH AND METHODOLOGY TRAINING SEMINAR
     LIVING MODERNISM
     LUDIC LITERATURE
     LUDIC LITERATURE
     MA IN INTERNATIONAL RELATIONS AND DEVELOPMENT EXAMINATION
     MA IN INTERNATIONAL RELATIONS EXAMINATION
     MA IN INTERNATIONAL RELATIONS and EUROPEAN STUDIES EXAMINATION
     MA INTERNATIONAL SECURITY EXAMINATION
     MEDIEVAL AND RENAISSANCE HUMANISM 1: ADAPTATION, TRANSLATION, IMITATION
     MEDIEVAL AND RENAISSANCE HUMANISM 2: HISTORICAL IMAGININGS
     NOVEL HISTORY
     POLITICS AND PUBLIC CULTURE
     PROCESS AND PRODUCT IN TRANSLATION
     PUBLISHING - A PRACTICAL APPROACH
     RESEARCH AND METHODOLOGY TRAINING SEMINAR
     RUSSIAN FOREIGN POLICY
     SCIENCE FICTION: FILM AND TELEVISION
     STUDYING MEDIA
     STYLISTICS FOR TRANSLATORS
     TECHNOLOGICAL TOOLS FOR TRANSLATORS
     TELEVISION AND SOCIETY
     THE ACTOR IN SPACE
     THE ART OF SHORT FICTION
     THE BIG PICTURE: CONTEMPORARY HOLLYWOOD CINEMA
     THE FOREIGN RELATIONS OF CHINA AND JAPAN IN THE MODERN WORLD
     THE LIFE OF THE BOOK
     THE POLITICS OF REGULATION
     THE WRITING OF CRIME/THRILLER FICTION
     THEORY AND PRACTICE OF FICTION
     TRANSLATION IN CONTEXT
     TRANSLATION THEORY
     TRANSLATION WORKSHOP
     TRAVEL WRITING - CRITICAL APPROACHES AND CREATIVE PRACTICE
     TRAVEL WRITING - CRITICAL APPROACHES AND CREATIVE PRACTICE
     VIDEO PRODUCTION
     WAR GAMES: DIPLOMACY AND STRATEGY IN INTERNATIONAL RELATIONS
     WOMEN AND FILM
     WRITING LIVES
     WRITING THE FIRST PERSON

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