University of East Anglia

Master Theatre Directing: Text and Production - Máster en Dirección de Teatro: Textos y Producción

University of East Anglia
  • Imparte:
  • Modalidad:
    Presencial en Norwich
  • Precio:
    Consultar rellenando el formulario
  • Comienzo:
    Septiembre 2017
  • Lugar:
    University of East Anglia, Norwich Research Park
    Norwich NR4 7TJ
    Reino Unido
  • Duración:
    1 Año
  • Idioma:
    El Curso se imparte en Inglés
  • Titulación:
    MA Theatre Directing: Text and Production

Presentación

This programme is offered either full and part time basis

The MA in Theatre directing at the University of East Anglia is one of the longest established in the country. Following the Gulbenkian Report on director training of 1989 it was founded by Tony Gash, a Shakespearean scholar who had studied at Oxford and taught at the Royal Academy of Dramatic Art. It was made possible by the building of a newly designed Studio Theatre at the University, which was opened by Harold Pinter in 1993. Its earliest advisers included the practitioners Cicely Berry( RSC) Max Stafford-Clark (Royal Court/Out of Joint) and Mike Alfreds (Shared Experience/ Method and Madness) who are all also published writers on directorial method.

Requisitos

Degree Subject: UK BA (Hons) 2.1 or equivalent
Special Entry Requirements: Sample of work

Programa

Compulsory Study (140 credits)
Students must study the following modules for 140 credits:
 DRAMA DISSERTATION
 POSTMODERNISM IN PERFORMANCE
 RESEARCH AND METHODOLOGY TRAINING SEMINAR
 TEXT AND PRODUCTION: SCENE CLASS
Option A Study (40 credits)
Students will select 40 credits from the following modules:
 ADAPTATION AND INTERPRETATION
 ADAPTATION AND INTERPRETATION
 AMERICAN FOREIGN POLICY
 BRITISH CINEMA: REALISM AND SPECTACLE
 CASE STUDIES
 CONCEPTUALIZING THE MEDIEVAL AND THE RENAISSANCE
 CONTEMPORARY WORLD THEATRE
 CREATIVE WRITING: SCRIPTWRITING: DRAMATURGY
 CREATIVE-CRITICAL WRITING
 CREATIVITY AND DEVELOPMENT IN FILM AND TELEVISION PRODUCTION
 CRITICAL THEORIES OF THE WESTERN SELF
 CROSSING BOUNDARIES: WOMEN WRITERS IN MODERN EUROPE
 DISSERTATION - LITERARY TRANSLATION
 EAST ANGLIAN LITERATURE
 EFFECTS, AUDIENCES AND THE MEDIA
 ENGLISH LITERATURE DISSERTATION
 EUROPE AND THE WORLD
 EUROPEAN UNION: POWER, POLITICS AND POLICY
 EVALUATING NATURE
 FICTION AFTER MODERNISM: RE-READING THE 20TH CENTURY
 FILM STUDIES DISSERTATION
 FILM STUDIES: HISTORY, THEORY, CRITICISM
 FORENSIC LINGUISTICS AND TRANSLATION
 GLOBAL POLITICAL ECONOMY OF EMERGING POWERS
 INTERNATIONAL HISTORY OF THE ASIA-PACIFIC REGION
 INTERNATIONAL ORGANISATIONS AND PUBLIC POLICY
 INTERNATIONAL ORGANISATIONS: CONFLICT AND DEVELOPMENT
 INTERNATIONAL RELATIONS THEORY
 INTERNATIONAL SECURITY
 JAPANESE FILM: NATIONAL CINEMA AND BEYOND
 LITERARY TRANSLATION RESEARCH AND METHODOLOGY TRAINING SEMINAR
 LIVING MODERNISM
 LUDIC LITERATURE
 MA IN INTERNATIONAL RELATIONS AND DEVELOPMENT EXAMINATION
 MA IN INTERNATIONAL RELATIONS EXAMINATION
 MA IN INTERNATIONAL RELATIONS and EUROPEAN STUDIES EXAMINATION
 MA INTERNATIONAL SECURITY EXAMINATION
 MEDIEVAL AND RENAISSANCE HUMANISM 1: ADAPTATION, TRANSLATION, IMITATION
 MEDIEVAL AND RENAISSANCE HUMANISM 2: HISTORICAL IMAGININGS
 POLITICS AND PUBLIC CULTURE
 PROCESS AND PRODUCT IN TRANSLATION
 RESEARCH AND METHODOLOGY TRAINING SEMINAR
 RUSSIAN FOREIGN POLICY
 SCIENCE FICTION: FILM AND TELEVISION
 STUDYING MEDIA
 STYLISTICS FOR TRANSLATORS
 TECHNOLOGICAL TOOLS FOR TRANSLATORS
 TELEVISION AND SOCIETY
 THE ACTOR IN SPACE
 THE ART OF SHORT FICTION
 THE BIG PICTURE: CONTEMPORARY HOLLYWOOD CINEMA
 THE FOREIGN RELATIONS OF CHINA AND JAPAN IN THE MODERN WORLD
 THE LIFE OF THE BOOK
 THE POLITICS OF REGULATION
 TRANSLATION IN CONTEXT
 TRANSLATION THEORY
 TRANSLATION WORKSHOP
 VIDEO PRODUCTION
 WAR GAMES: DIPLOMACY AND STRATEGY IN INTERNATIONAL RELATIONS
 WOMEN AND FILM
 WRITING LIVES
 WRITING THE FIRST PERSON

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