University of East Anglia

Master Theatre Directing: Text and Production - Máster en Dirección de Teatro: Textos y Producción

University of East Anglia
  • Imparte:
  • Modalidad:
    Presencial en Norwich
  • Precio:
    Consultar rellenando el formulario
  • Comienzo:
    Septiembre 2017
  • Lugar:
    University of East Anglia, Norwich Research Park
    Norwich NR4 7TJ
    Reino Unido
  • Duración:
    1 Año
  • Idioma:
    El Curso se imparte en Inglés
  • Titulación:
    MA Theatre Directing: Text and Production
  • Otras Convocatorias:

    Presentación

    This programme is offered either full and part time basis

    The MA in Theatre directing at the University of East Anglia is one of the longest established in the country. Following the Gulbenkian Report on director training of 1989 it was founded by Tony Gash, a Shakespearean scholar who had studied at Oxford and taught at the Royal Academy of Dramatic Art. It was made possible by the building of a newly designed Studio Theatre at the University, which was opened by Harold Pinter in 1993. Its earliest advisers included the practitioners Cicely Berry( RSC) Max Stafford-Clark (Royal Court/Out of Joint) and Mike Alfreds (Shared Experience/ Method and Madness) who are all also published writers on directorial method.

    Requisitos

    Degree Subject: UK BA (Hons) 2.1 or equivalent
    Special Entry Requirements: Sample of work

    Programa

    Compulsory Study (140 credits)
    Students must study the following modules for 140 credits:
     DRAMA DISSERTATION
     POSTMODERNISM IN PERFORMANCE
     RESEARCH AND METHODOLOGY TRAINING SEMINAR
     TEXT AND PRODUCTION: SCENE CLASS
    Option A Study (40 credits)
    Students will select 40 credits from the following modules:
     ADAPTATION AND INTERPRETATION
     ADAPTATION AND INTERPRETATION
     AMERICAN FOREIGN POLICY
     BRITISH CINEMA: REALISM AND SPECTACLE
     CASE STUDIES
     CONCEPTUALIZING THE MEDIEVAL AND THE RENAISSANCE
     CONTEMPORARY WORLD THEATRE
     CREATIVE WRITING: SCRIPTWRITING: DRAMATURGY
     CREATIVE-CRITICAL WRITING
     CREATIVITY AND DEVELOPMENT IN FILM AND TELEVISION PRODUCTION
     CRITICAL THEORIES OF THE WESTERN SELF
     CROSSING BOUNDARIES: WOMEN WRITERS IN MODERN EUROPE
     DISSERTATION - LITERARY TRANSLATION
     EAST ANGLIAN LITERATURE
     EFFECTS, AUDIENCES AND THE MEDIA
     ENGLISH LITERATURE DISSERTATION
     EUROPE AND THE WORLD
     EUROPEAN UNION: POWER, POLITICS AND POLICY
     EVALUATING NATURE
     FICTION AFTER MODERNISM: RE-READING THE 20TH CENTURY
     FILM STUDIES DISSERTATION
     FILM STUDIES: HISTORY, THEORY, CRITICISM
     FORENSIC LINGUISTICS AND TRANSLATION
     GLOBAL POLITICAL ECONOMY OF EMERGING POWERS
     INTERNATIONAL HISTORY OF THE ASIA-PACIFIC REGION
     INTERNATIONAL ORGANISATIONS AND PUBLIC POLICY
     INTERNATIONAL ORGANISATIONS: CONFLICT AND DEVELOPMENT
     INTERNATIONAL RELATIONS THEORY
     INTERNATIONAL SECURITY
     JAPANESE FILM: NATIONAL CINEMA AND BEYOND
     LITERARY TRANSLATION RESEARCH AND METHODOLOGY TRAINING SEMINAR
     LIVING MODERNISM
     LUDIC LITERATURE
     MA IN INTERNATIONAL RELATIONS AND DEVELOPMENT EXAMINATION
     MA IN INTERNATIONAL RELATIONS EXAMINATION
     MA IN INTERNATIONAL RELATIONS and EUROPEAN STUDIES EXAMINATION
     MA INTERNATIONAL SECURITY EXAMINATION
     MEDIEVAL AND RENAISSANCE HUMANISM 1: ADAPTATION, TRANSLATION, IMITATION
     MEDIEVAL AND RENAISSANCE HUMANISM 2: HISTORICAL IMAGININGS
     POLITICS AND PUBLIC CULTURE
     PROCESS AND PRODUCT IN TRANSLATION
     RESEARCH AND METHODOLOGY TRAINING SEMINAR
     RUSSIAN FOREIGN POLICY
     SCIENCE FICTION: FILM AND TELEVISION
     STUDYING MEDIA
     STYLISTICS FOR TRANSLATORS
     TECHNOLOGICAL TOOLS FOR TRANSLATORS
     TELEVISION AND SOCIETY
     THE ACTOR IN SPACE
     THE ART OF SHORT FICTION
     THE BIG PICTURE: CONTEMPORARY HOLLYWOOD CINEMA
     THE FOREIGN RELATIONS OF CHINA AND JAPAN IN THE MODERN WORLD
     THE LIFE OF THE BOOK
     THE POLITICS OF REGULATION
     TRANSLATION IN CONTEXT
     TRANSLATION THEORY
     TRANSLATION WORKSHOP
     VIDEO PRODUCTION
     WAR GAMES: DIPLOMACY AND STRATEGY IN INTERNATIONAL RELATIONS
     WOMEN AND FILM
     WRITING LIVES
     WRITING THE FIRST PERSON

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